Story about Clothing and textiles

The study of the history of clothing and textiles traces the availability and use of textiles and other materials and the development of technology for the making of clothing over human history. The wearing of clothing is exclusively a human characteristic and is a feature of most human societies.
It is not known when humans began wearing clothes but anthropologists believe that animal skins and vegetation were adapted into coverings as protection from cold, heat and rain, especially as humans migrated to new climates; and an alternative hypothesis is that covering may have been first used for other purposes, such as magic, decoration, cult, or prestige, and later found to be practical as well. Clothing and textiles have been important in human history and reflects the materials available to a civilization as well as the technologies that had been mastered. The social significance of the finished product reflects their culture.

Textiles can be felt or spun fibers made into yarn and subsequently netted, looped, knit or woven to make fabrics, which appeared in the Middle East during the late stone age.From the ancient times to the present day, methods of textile production have continually evolved, and the choices of textiles available have influenced how people carried their possessions, clothed themselves, and decorated their surroundings.

Sources available for the study of clothing and textiles include material remains discovered via archaeology; representation of textiles and their manufacture in art; and documents concerning the manufacture, acquisition, use, and trade of fabrics, tools, and finished garments. Scholarship of textile history, especially its earlier stages, is part of material culture studies.

Prehistoric development

The development of textile and clothing manufacture in prehistory has been the subject of a number of scholarly studies since the late 20th century.These sources have helped to provide a coherent history of these prehistoric developments. Evidence suggests that human beings may have begun wearing clothing as far back as 100,000 to 500,000 years ago.

Early adoption of fibrous apparel

Genetic analysis suggests that the human body louse, which lives in clothing, may only have diverged from the head louse some 107 thousand years ago, which supports evidence that humans began wearing clothing at around this time.These estimates pre-date the first known human exodus from Africa, although species of Homo (other than Homo sapiens) who may have worn clothes - and shared these louse infestations - appear to have migrated earlier.Possible sewing needles have been dated to around 40,000 years ago. The earliest definite examples of needles originate from the Solutrean culture, which existed in France from 19,000 BC to 15,000 BC. The earliest dyed flax fibers have been found in a prehistoric cave in the Republic of Georgia and date back to 36,000 BP.

Ancient Near East

The earliest known woven textiles of the Near East may be fabrics used to wrap the dead, excavated at a Neolithic site at Çatalhöyük in Anatolia, carbonized in a fire and radiocarbon dated to c. 6000 BC. Evidence exists of flax cultivation from c. 8000 BC in the Near East, but the breeding of sheep with a wooly fleece rather than hair occurs much later, c. 3000 BC.[13]

History of clothing in India The inhabitants of the Indus Valley Civilization used cotton for clothing as early as the 5th millennium BC – 4th millennium BC.

"Cotton has been spun, woven, and dyed since prehistoric times. It clothed the people of ancient India, Egypt, and China. Hundreds of years before the Christian era cotton textiles were woven in India with matchless skill, and their use spread to the Mediterranean countries. In the 1st cent. Arab traders brought fine Muslin and Calico to Italy and Spain. The Moors introduced the cultivation of cotton into Spain in the 9th cent. Fustians and dimities were woven there and in the 14th cent. in Venice and Milan, at first with a linen warp. Little cotton cloth was imported to England before the 15th cent., although small amounts were obtained chiefly for candlewicks. By the 17th cent. the East India Company was bringing rare fabrics from India. Native Americans skillfully spun and wove cotton into fine garments and dyed tapestries. Cotton fabrics found in Peruvian tombs are said to belong to a pre-Inca culture. In color and texture the ancient Peruvian and Mexican textiles resemble those found in Egyptian tombs."

Ancient Egypt

Woven silk textile from tombs at Mawangdui, Changsha, Hunan province, China, from the Western Han Dynasty, 2nd century BC Evidence exists for production of linen cloth in Ancient Egypt in the Neolithic period, c. 5500 BC. Cultivation of domesticated wild flax, probably an import from the Levant, is documented as early as c. 6000 BC Other bast fibers including rush, reed, palm, and papyrus were used alone or with linen to make rope and other textiles. Evidence for wool production in Egypt is scanty at this period. Spinning techniques included the drop spindle, hand-to-hand spinning, and rolling on the thigh; yarn was also spliced. A horizontal ground loom was used prior to the New Kingdom, when a vertical two-beam loom was introduced, probably from Asia. Linen bandages were used in the burial custom of mummification, and art depicts Egyptian men wearing linen kilts and women in narrow dresses with various forms of shirts and jackets, often of sheer pleated fabric.

Ancient China

The earliest evidence of silk production in China was found at the sites of Yangshao culture in Xia, Shanxi, where a cocoon of bombyx mori, the domesticated silkworm, cut in half by a sharp knife is dated to between 5000 and 3000 BC. Fragments of primitive looms are also seen from the sites of Hemudu culture in Yuyao, Zhejiang, dated to about 4000 BC. Scraps of silk were found in a Liangzhu culture site at Qianshanyang in Huzhou, Zhejiang, dating back to 2700 BC.[17][18] Other fragments have been recovered from royal tombs in the Shang Dynasty (c. 1600 – c. 1046 BC). Under the Shang Dynasty, Han Chinese clothing or Hanfu consisted of a yi, a narrow-cuffed, knee-length tunic tied with a sash, and a narrow, ankle-length skirt, called shang, worn with a bixi, a length of fabric that reached the knees. Clothing of the elite was made of silk in vivid primary colours.

The textile trade in the ancient world

Silk Road The exchange of luxury textiles was predominant on the Silk Road, a series of ancient trade and cultural transmission routes that were central to cultural interaction through regions of the Asian continent connecting East and West by linking traders, merchants, pilgrims, monks, soldiers, nomads and urban dwellers from China to the Mediterranean Sea during various periods of time. The trade route was initiated around 114 BC by the Han Dynasty,[25] although earlier trade across the continents had already existed. Geographically, the Silk Road or Silk Route is an interconnected series of ancient trade routes between Chang'an (today's Xi'an) in China, with Asia Minor and the Mediterranean extending over 8,000 km (5,000 mi) on land and sea. Trade on the Silk Road was a significant factor in the development of the great civilizations of China, Egypt, Mesopotamia, Persia, the Indian subcontinent, and Rome, and helped to lay the foundations for the modern world.

Early medieval Europe

Early medieval European dress, Anglo-Saxon dress and English Medieval fashion European dress changed gradually in the years 400 to 1100. People in many countries dressed differently depending on whether they identified with the old Romanised population, or the new invading populations such as Franks, Anglo-Saxons, and Visigoths. Men of the invading peoples generally wore short tunics, with belts, and visible trousers, hose or leggings. The Romanised populations, and the Church, remained faithful to the longer tunics of Roman formal costume. The elite imported silk cloth from the Byzantine, and later Muslim, worlds, and also probably cotton. They also could afford bleached linen and dyed and simply patterned wool woven in Europe itself. But embroidered decoration was probably very widespread, though not usually detectable in art. Lower classes wore local or homespun wool, often undyed, trimmed with bands of decoration, variously embroidery, tablet-woven bands, or colorful borders woven into the fabric in the loom.

High middle ages and the rise of fashion 1100–1200 in fashion, 1200–1300 in fashion and 1300–1400 in fashion

Clothing in 12th and 13th century Europe remained very simple for both men and women, and quite uniform across the subcontinent. The traditional combination of short tunic with hose for working-class men and long tunic with overgown for women and upper class men remained the norm. Most clothing, especially outside the wealthier classes, remained little changed from three or four centuries earlier. The 13th century saw great progress in the dyeing and working of wool, which was by far the most important material for outer wear. Linen was increasingly used for clothing that was directly in contact with the skin. Unlike wool, linen could be laundered and bleached in the sun. Cotton, imported raw from Egypt and elsewhere, was used for padding and quilting, and cloths such as buckram and fustian. Crusaders returning from the Levant brought knowledge of its fine textiles, including light silks, to Western Europe. In Northern Europe, silk was an imported and very expensive luxury.[35] The well-off could afford woven brocades from Italy or even further afield. Fashionable Italian silks of this period featured repeating patterns of roundels and animals, deriving from Ottoman silk-weaving centres in Bursa, and ultimately from Yuan Dynasty China via the Silk Road. Cultural and costume historians agree that the mid-14th century marks the emergence of recognizable "fashion" in Europe.From this century onwards Western fashion changed at a pace quite unknown to other civilizations, whether ancient or contemporary.In most other cultures only major political changes, such as the Muslim conquest of India, produced radical changes in clothing, and in China, Japan, and the Ottoman Empire fashion changed only slightly over periods of several centuries. In this period the draped garments and straight seams of previous centuries were replaced by curved seams and the beginnings of tailoring, which allowed clothing to more closely fit the human form, as did the use of lacing and buttons. A fashion for mi-parti or parti-coloured garments made of two contrasting fabrics, one on each side, arose for men in mid-century,and was especially popular at the English court. Sometimes just the hose would be different colours on each leg.

Renaissance and early modern period Renaissance Europe

Wool remained the most popular fabric for all classes, followed by linen and hemp.[36] Wool fabrics were available in a wide range of qualities, from rough undyed cloth to fine, dense broadcloth with a velvety nap; high-value broadcloth was a backbone of the English economy and was exported throughout Europe. Wool fabrics were dyed in rich colours, notably reds, greens, golds, and blues. Silk-weaving was well established around the Mediterranean by the beginning of the 15th century, and figured silks, often silk velvets with silver-gilt wefts, are increasingly seen in Italian dress and in the dress of the wealthy throughout Europe. Stately floral designs featuring a pomegranate or artichoke motif had reached Europe from China in the previous century and became a dominant design in the Ottoman silk-producing cities of Istanbul and Bursa, and spread to silk weavers in Florence, Genoa, Venice, Valencia and Seville in this period. As prosperity grew in the 15th century, the urban middle classes, including skilled workers, began to wear more complex clothes that followed, at a distance, the fashions set by the elites. National variations in clothing increased over the century.

Early Modern Europe

1500–1550 in fashion, 1550–1600 in fashion, 1600–1650 in fashion and 1650–1700 in fashion.

A French reinterpretation of Spanish fashion, with elaborate reticella ruff, 1609 By the first half of the 16th century, the clothing of the Low Countries, German states, and Scandinavia had developed in a different direction than that of England, France, and Italy, although all absorbed the sobering and formal influence of Spanish dress after the mid-1520s. Elaborate slashing was popular, especially in Germany. Black was increasingly worn for the most formal occasions. Bobbin lace arose from passementerie in the mid-16th century, probably in Flanders. This century also saw the rise of the ruff, which grew from a mere ruffle at the neckline of the shirt or chemise to immense cartwheel shapes. At their most extravagant, ruffs required wire supports and were made of fine Italian reticella, a cutwork linen lace. By the turn of the 17th century, a sharp distinction could be seen between the sober fashions favored by Protestants in England and the Netherlands, which still showed heavy Spanish influence, and the light, revealing fashions of the French and Italian courts. The great flowering of needlelace occurred in this period. Geometric reticella deriving from cutwork was elaborated into true needlelace or punto in aria (called in England "point lace"), which reflected the scrolling floral designs popular for embroidery. Lacemaking centers were established in France to reduce the outflow of cash to Italy. According to Dr. Wolf D. Fuhrig, "By the second half of the 17th century, Silesia had become an important economic pillar of the Habsburg monarchy, largely on the strength of its textile industry.

Enlightenment and the Colonial period

1700–1750 in fashion and 1750–1795 in fashion During the eighteenth century, distinction was made between full dress worn at Court and for formal occasions, and undress or everyday, daytime clothes. As the decades progressed, fewer and fewer occasions called for full dress which had all but disappeared by the end of the century. Full dress followed the styles of the French court, where rich silks and elaborate embroidery reigned. Men continued to wear the coat, waistcoat and breeches for both full dress and undress; these were now sometimes made of the same fabric and trim, signalling the birth of the three-piece suit. Women's silhouettes featured small, domed hoops in the 1730s and early 1740s, which were displaced for formal court wear by side hoops or panniers which later widened to as much as three feet to either side at the court of Marie Antoinette. Fashion reached heights of fantasy and abundant ornamentation, before new enthusiasms for outdoor sports and country pursuits and a long-simmering movement toward simplicity and democratization of dress under the influence of Jean-Jacques Rousseau and the American Revolution led to an entirely new mode and the triumph of British woollen tailoring following the French Revolution. For women's dresses, Indian cottons, especially printed chintzes, were imported to Europe in large numbers, and towards the end of the period simple white muslin gowns were in fashion.

Industrial revolution

Estonian national clothes are of fine example on change in clothing after industrial revolution. They changed a lot during 18th and 19th of century with the addition of new types of colors (like aniline dyes), placement of colors (like lengthwise stripes) and with the addition of new elements (like waistcoats). By the end of the 19th century they went out of use in most of the country (except more remote places as in Kihnu island) and it was only in mid 20th century when they once again gained popularity and now as a formal clothing. Members of University of Tartu Folk Art Ensemble wearing clothes specific to Kihnu island, Tori Parish (women in red skirts) and Tõstamaa area (men in brown clothing). Main article: Textile manufacture during the Industrial Revolution During the industrial revolution, fabric production was mechanised with machines powered by waterwheels and steam-engines. Production shifted from small cottage based production to mass production based on assembly line organisation. Clothing production, on the other hand, continued to be made by hand. Sewing machines emerged in the 19th century streamlining clothing production. In the early 20th century workers in the clothing and textile industries became unionised.Later in the 20th century, the industry had expanded to such a degree that such educational institutions as UC Davis established a Division of Textiles and Clothing,The University of Nebraska-Lincoln also created a Department of Textiles, Clothing and Design that offers a Masters of Arts in Textile History, and Iowa State University established a Department of Textiles and Clothing that features a History of costume collection, 1865–1948.Even high school libraries have collections on the history of clothing and textiles. Alongside these developments were changes in the types and style of clothing produced. During the 1960s, had a major influence on subsequent developments in the industry. Textiles were not only made in factories. Before this they were made in local and national markets. Dramatic change in transportation throughout the nation is one source that encouraged the use of factories. New advances such as steamboats, canals, and railroads lowered shipping costs which caused people to buy cheap goods that were produced in other places instead of more expensive goods that were produced locally. Between 1810 and 1840 the development of a national market prompted manufacturing which tripled the output’s worth. This increase in production created a change in industrial methods, such as the use of factories instead of hand made woven materials that families usually made. The vast majority of the people who worked in the factories were women. Women went to work in textile factories for a number of reasons. Some women left home to live on their own because of crowding at home; or to save for future marriage portions. The work enabled them to see more of the world, to earn something in anticipation of marriage, and to ease the crowding within the home. They also did it to make money for family back home. The money they sent home was to help out with the trouble some of the farmers were having. They also worked in the millhouses because they could gain a sense of independence and growth as a personal goal.